Timecrimes — making a bad situation worse
A small time-travel thriller with a tightly plotted loop. Ordinary surroundings make the increasingly tangled situation more effective.
A small time-travel thriller with a tightly plotted loop. Ordinary surroundings make the increasingly tangled situation more effective.

Spoiler-free review.
Timecrimes keeps its world small, which is one of its best decisions. An ordinary man gets caught in a time loop, but the film does not need a vast future or complicated machinery to make the problem interesting. A few familiar places are enough.
Nacho Vigalondo makes the same places feel different as the story unfolds. Something that seemed simple at first takes on new meaning with more context. The way the film uses a limited setting to create tension and move the plot forward is smart. It makes the most of what it has.
Karra Elejalde makes the central character convincingly unheroic. He reacts, panics, and tries to improve a situation he does not fully understand. That ordinariness helps the science-fiction premise feel like an immediate problem rather than a theory being demonstrated.
The time-travel rules kept me more engaged than the characters did. Some of the choices feel forced just to keep the loop working. The people around the main character aren't fully developed. The look and feel of the film also varies — some scenes work well, others don't.
7/10. It's compact, clever, and well-structured. It shows how a time-travel story can be effective by focusing on a few key consequences rather than trying to build a huge universe.
Directed by Nacho Vigalondo · 2007 · Spanish. Film details · Poster source. Artwork © its respective rights holders.
A small time-travel thriller with a tightly plotted loop. Ordinary surroundings make the increasingly tangled situation more effective.
— Desly