Resurrection — A woman's grip on reality frays
The film leans too heavily on its own tension, but the central conflict is compelling enough to keep it from falling entirely apart.
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Spoiler-free review.
Margaret's conflict with her ex-boyfriend's return is tense, but the emotional stakes don't feel fully explored. The story moves slowly, creating an uneasy mood that sometimes feels more like atmosphere than a clear purpose. There's a sense of danger in Margaret's life, but not enough depth to justify the tension that lingers for so long.
The direction keeps scenes tight, but it often sacrifices emotional depth or character growth. Suspense moments are let down by predictable pacing and clichéd setups that make them feel less impactful. The film's structure feels repetitive, like it's going in circles without really moving forward.
Rebecca Hall does a good job showing Margaret's fear, but the role doesn't give her much to work with. The supporting actors help build the uneasy tone, but their characters aren't given much to do. The dialogue sometimes feels forced, like it's more about creating tension than revealing real people.
The film's biggest problem is that it depends too much on suspense without giving the audience a real emotional connection. It tries to explore themes like control and trauma, but they don't get much of a chance to develop. Even with its flaws, the tension keeps viewers watching, even if the film doesn't quite earn its own existence.
2022 · English. Film details · Poster source · Artwork © its respective rights holders.
6/10
My verdictThe film leans too heavily on its own tension, but the central conflict is compelling enough to keep it from falling entirely apart.
— Desly