Possessor — A mind trapped inside another's flesh

Spoiler-free review.

The central tension is the struggle to maintain identity when control of one’s body is constantly at risk. Andrea Riseborough's character faces a dilemma that feels both personal and existential, yet rarely fully immersive. Christopher Abbott brings a raw vulnerability that contrasts with the cold mechanics of the plot.

The visuals are eerie, but they often feel more like a style choice than a way to deepen the story. The pacing is slow, and some scenes drag without adding real tension or insight. The film tries to explore ideas about autonomy and selfhood, but it doesn't always make them clear.

Riseborough conveys internal conflict with subtlety, even when the script gives her limited emotional range. Abbott's performance is compelling but occasionally overwhelmed by the film’s own surrealism. Supporting actors contribute effectively, but their roles are often defined by ambiguity rather than depth.

The film doesn't explore the moral questions behind its premise in enough detail. The horror parts sometimes feel like they're there for style rather than to build real emotion. Still, it does offer a fresh take on identity and control, even if it leaves some questions unanswered.

2020 · English. Film details

— Desly